2025

FKL symposium: Paesaggio Sonoro – Ways of Listening. Catania (IT). Paper presentation: “Becoming-Environmental: Sonic Attunements in the Lagoon of Venice” and performance: “Transient Spaces: Sound Spinning”.

Moto ondoso (moved by waves) at the Austrian Pavillion, La Biennale di Venezia in collaboration with Johannes Kiel and Laboratorio Laguna

Artist residency with Biennale Urbana, Venice (IT)

2024

Ars Electronica Festival 2024 Spatial Entanglements at Anton Bruckner Private University (Linz, AT)

NIME 2024 New Interfaces for Musical Expression (Utrecht , NL). Poster presentation: “Exploring Design Patterns for Spatial Instruments: User-Driven Strategies, Spatialized Synthesis and Loudspeaker Topologies” DOI: 10.5281/zenodo.13904804

Sensing the Forest: Summer school at Alice Holt Forest organised by Institute for Sonic Creativity, DeMontfort University Leicester (UK), and Forestry England

2023

SMC International Sound and Music Conference 2023 (KHM – Royal College of Music, Stockholm) Artistic presentation: “Spatial Entanglements – a Relational Musical Instrument”      

Laboratorio Laguna (Bohemian Pavilion, Venice) Artistic Reseach project in cooperation with University of Arts Linz, UdK Berlin, UniArts Helsinki, ZHdK Zurich

Klangfestival (Festival of the Regions, Upper Austria) Artistic presentation: “Spatial Entanglements – a Relational Musical Instrument”   

TEI’23 – International Conference on Embedded and Embodied Interaction (Copernicus Science Centre, Warsaw) Artistic presentation: “Spatial Entanglements – a Relational Musical Instrument”   

Ecologies of Embodiment: Co-Editing With the More-Than-Human Publication (Video essay): “Co-Composing with a Giant Snail – of Speeds and Slownesses”, in: Journal of Embodied Research, Special Issue: Ecologies Of Embodiment (peer reviewed) https://jer.openlibhums.org/article/id/10129/

2022

Konrad Wolf University Babelsberg (Potsdam) Artistic presentation / lecture as part of the seminar on Film and Experiment

EmAI workshop on Embodied Perspectives on Musical Artificial Intelligence at RITMO – Centre for Interdisciplinary Studies in Rhythm, Time and Motion (University of Oslo) Artistic presentation

Alliances and Commonalities (Universities of the Arts SKH, Stockholm) Artistic presentation: “Erratic walks” (with Marie-Andrée Robitaille and Raquel Felgueiras)

Ottosonics Festival (Upper Austria) Site specific immersive installation: Random(e) Spaces

AudioMostly ’22 International Conference on Interaction with Sound  (FH St. Poelten) Poster / publication: “The iOSCahedron – developing a hybrid Spatialization instrument”, in: AM ’22: Proceedings of the 17th International Audio Mostly Conference, https://doi.org/10.1145/3561212.3561232

2021

Fabulation For Future (Konrad Wolf University Babelsberg, Potsdam)  Lecture performance: “Sonic Fabulation – Rethinking cybernetics within (non)human – machine interaction”

NIME – International Conference on New Instruments for Musical Expression (NYU, Shanghai) Publication: “The SonIcosahedron – a spatial (auto)instrument”, in: NIME 2021. https://doi.org/10.21428/92fbeb44.7dca3414